Pausanias, Description of Greece (English) (XML Header) [genre: prose] [word count] [lemma count] [Paus.].
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2.20.8

Above the theater is a sanctuary of Aphrodite, and before the image is a slab with a representation wrought on it in relief of Telesilla, the lyric poetess. Her books lie scattered at her feet, and she herself holds in her hand an helmet, which she is looking at and is about to place on her head. Telesilla was a distinguished woman who was especially renowned for her poetry. It happened that the Argives had suffered an awful defeat at the hands of Cleomenes, the son of Anaxandrides, and the Lacedaemonians. Some fell in the actual fighting; others, who had fled to the grove of Argus, also perished. At first they left sanctuary under an agreement, which was treacherously broken, and the survivors, when they realized this, were burnt to death in the grove. So when Cleomenes led his troops to Argos there were no men to defend it. note

2.20.9

But Telesilla mounted on the wall all the slaves and such as were incapable of bearing arms through youth or old age, and she herself, collecting the arms in the sanctuaries and those that were left in the houses, armed the women of vigorous age, and then posted them where she knew the enemy would attack. When the Lacedaemonians came on, the women were not dismayed at their battle-cry, but stood their ground and fought valiantly. Then the Lacedaemonians, realizing that to destroy the women would be an invidious success while defeat would mean a shameful disaster, gave way before the women.

2.20.10

This fight had been foretold by the Pythian priestess in the oracle quoted by Herodotus, who perhaps understood to what it referred and perhaps did not:— But when the time shall come that the female conquers in battle,
Driving away the male, and wins great glory in Argos,
Many an Argive woman will tear both cheeks in her sorrow.
Hdt. 6.77Such are the words of the oracle referring to the exploit of the women.

ch. 21 2.21.1

Having descended thence, and having turned again to the market-place, we come to the tomb of Cerdo, the wife of Phoroneus, and to a temple of Asclepius. The sanctuary of Artemis, surnamed Persuasion, is another offering of Hypermnestra after winning the trial to which she was brought by her father because of Lynceus. Here there is also a bronze statue of Aeneas, and a place called Delta. I intentionally do not discuss the origin of the name, because I could not accept the traditional accounts.

2.21.2

In front of it stands an altar of Zeus Phyxius (God of Fight), and near is the tomb of Hypermnestra, the mother of Amphiaraus, the other tomb being that of Hypermnestra, the daughter of Danaus, with whom is also buried Lynceus. Opposite these is the grave of Talaus, the son of Bias; the history of Bias and his descendants I have already given.

2.21.3

A sanctuary of Athena Trumpet they say was founded by Hegeleos. This Hegeleos, according to the story, was the son of Tyrsenus, and Tyrsenus was the son of Heracles and the Lydian woman; Tyrsenus invented the trumpet, and Hegeleos, the son of Tyrsenus, taught the Dorians with Temenus how to play the instrument, and for this reason gave Athena the surname Trumpet. Before the temple of Athena is, they say, the grave of Epimenides. The Argive story is that the Lacedaemonians made war upon the Cnossians and took Epimenides alive; they then put him to death for not prophesying good luck to them, and the Argives taking his body buried it here.

2.21.4

The building of white marble in just about the middle of the marketplace is not, as the Argives declare, a trophy in honor of a victory over Pyrrhus of Epeirus, but it can be shown that his body was burnt here, and that this is his monument, on which are carved in relief the elephants and his other instruments of warfare. This building then was set up where the pyre stood, but the bones of Pyrrhus lie in the sanctuary of Demeter, beside which, as I have shown in my account of Attica, his death occurred. At the entrance to this sanctuary of Demeter you can see a bronze shield of Pyrrhus hanging dedicated over the door.

2.21.5

Not far from the building in the market-place of Argos is a mound of earth, in which they say lies the head of the Gorgon Medusa. I omit the miraculous, but give the rational parts of the story about her. After the death of her father, Phorcus, she reigned over those living around Lake Tritonis, going out hunting and leading the Libyans to battle. On one such occasion, when she was encamped with an army over against the forces of Perseus, who was followed by picked troops from the Peloponnesus, she was assassinated by night. Perseus, admiring her beauty even in death, cut off her head and carried it to show the Greeks.

2.21.6

But Procles, the son of Eucrates, a Carthaginian, thought a different account more plausible than the preceding. It is as follows. Among the incredible monsters to be found in the Libyan desert are wild men and wild women. Procles affirmed that he had seen a man from them who had been brought to Rome. So he guessed that a woman wandered from them, reached Lake Tritonis, and harried the neighbours until Perseus killed her; Athena was supposed to have helped him in this exploit, because the people who live around Lake Tritonis are sacred to her.



Pausanias, Description of Greece (English) (XML Header) [genre: prose] [word count] [lemma count] [Paus.].
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